Saturday, October 29, 2011

The angel and Balaam



The French artist James Jacques Joseph Tissot (1836-1902) has captured the crucial moment in the Old Testament story of Balaam. Balaam is punishing his donkey for refusing to move, the donkey speaks, and Balaam becomes aware of the angel's presence.

Sunday, October 23, 2011

An angel in the fiery furnace



When Shadrach, Meshach, and Abednego were consigned by Nebuchadnezzar II to the fiery furnace for refusing to renounce their faith, God answered their prayers for protection by sending an angel. The English painter Simeon Solomon shows this fourth presence as a powerful entity of guardianship and comfort.

Thursday, October 20, 2011

El Greco: the Assumption of Mary




El Greco's painting shows a powerful angel assisting Mary on her journey to Heaven. Belief in the Assumption of Mary is part of the faiths of Roman Catholicism, Eastern Orthodoxy, and parts of the Anglican church.

Saturday, October 15, 2011

Master of the Housebook: Three angels



Little is known of the Master of the House Book in the Rhenish Palatinate, who worked in the late 15th century. His work is believed by some to have influenced Albrecht Dürer.

Thursday, October 13, 2011

Josse Lieferinxe: St Michael slaying the dragon



Josse Lieferinxe (who worked ca 1493 - 1508), also known as the Master of St. Sebastian, shows an appropriately commanding vision of St Michael. What I find striking is that Michael's wings are barely visible, almost an afterthought.

Sunday, October 9, 2011

Jan van Eyck: Angel of the Annunciation



Jan van Eyck's painting of Gabriel appearing to Mary is a back panel of the Ghent Altarpiece, c. 1432.

Thursday, October 6, 2011

Dürer: The Feast of the Rose Garlands




The painting shown above, The Feast of the Rose Garlands, was made by Albrecht Dürer in 1506. It is a painting for the altar of a chapel in Venice's San Bartolomeo all'Isola, commissioned by German merchants who lived in the area.

Sunday, October 2, 2011

Gustave Doré: Empyrean




The illustration above shows Gustave Doré's (1832-83) concept of the Empyrean in Dante's Divine Comedy, the highest heaven. Here, Beatrice and Dante are shown having come face to face with God.